![]() So, we had these songs, I ended up getting the Trap Door one – I think Get ‘Er Done was the one he originally did for me, and then he ended up using all the other ones on his album. I sent DOOM some beats for this project, and he ended up rappin’ to all of them. I think he was actually doing a song – I was trying to get him to do a song, and, he’s notoriously difficult. DOOM – I think I’d been working with him already. We did maybe like 3 or 4 songs – he ended up using one of them on his album and he ended up giving me a couple for mine, so, that was actually something that just happened from doing the album, which was cool. Some of the people I reached out purely just to work with on this album. Some of them I did specifically for the project, so, it was just a long process. You know, some of the songs were done for some of those artists records, and they didn’t get used for whatever reason – album never came out, etc. How did you do that? Was it super dope working with all those people? (yes, I actually talk like that) …like, I can’t even imagine. …like, you had 50 million features on it. Imma come up with some new ones – even better. You know, I think it’s good that it created some kind of random made up stories. You know, people in the car that I’m riding with – they think it’s White Man Music. It’s funny though, people came up with a lot of interesting theories on the shit. But there’s really no meaning behind it at all. …and then eventually I just ended up putting that for my publishing, when I first started putting stuff together professionally, and – for whatever reason I decided I wanted to call it that. So, I dunno why, I just call all my beat tapes White Van Beats. The first song I ever did in high school with a friend of mine – we did, he was talkin’ bout his white van or whatever. …it sounds like a sexual assault in the making kinda. ![]() I gotta be honest, that name is a little. I have my own album called White Van Music that I did in 2008, and then this year I came out with an album with Freeway called The Stimulus Package. I’ve worked with a variety of people – some of the bigger names would be 50 Cent, De La Soul, Scarface, you know, pretty much everybody on G-Unit. ![]() …I really pretty much make beats – I DJ a little bit, but, that’s pretty much my thing, makin’ beats. My name is Jake One, I’m a producer from Seattle, Washington. ![]() In case there is anyone in the world who doesn’t know (that would be looking at my site, I mean, c’mon, this is for my real niggas only) – can you introduce yourself, tell us who you are, and what you do? …dude not only makes incredible beats, but honestly, he has a very realistic and down to earth view of hip hop, and is kinda of a fly interviewee. So, I was fortunate enough to catch producer Jake One one fine evening, and I took full advantage of it and asked him like 54.9 million questions. ![]()
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